Seven Poems

Entry Point  

If ever I find a method for injecting  
flowers into my bloodstream  

my poetry is over  

Pollen off daffodils  
would pockmark my vena cava  

Essential red from poppies will sanguine  
the aortic freshness even further  

When I bleed out  

a field of flowers their kinsfolk  
will arrive at my defenses  

to claim me as their own  
completed camouflage  

a horse, vaguely Trojan, stanching  
a likelier, more gruesome end 

 

To Pick a Wildflower  

Yet another hardship of being  
emerges in the triteness of our thinking it so  

When we vase a fistful of dandelions  

when we arrange what will become  
a still life  

we settle into a realm of oughtness  
like cupping our hands to capture  

running water  

Beside a brook I once wandered into  
a patch of trillium snaked around my ankles  

Nominally elemental by the sound of it  

trillium 

this series of ornaments  
white against green stalk & fern  

gussies itself with no missed awareness  
that for it to inhabit a vase  

is to risk a misdemeanor even should  
we feign ignorance or deign our baser selves

 A Diary | A Botany  

I track my days in chrysanthemums  
given in times of mourning  

(Must a diary of flowers swap out dates for petals?) 

I scour hydrangeas for signs of another birthday  
for Buddha amid the dregs of a tea bath  

     (Could this page serve as a napkin for cannibals?) 

I weep in earnest at the anachronist’s portent  
of catastrophe’s onslaught gone by 

         (For me to be sincere in my belief
        my disbelief must be insincere) 

I must believe in all things as flowers do  

I count myself honest when I profess  
my wish to be ground down one day  

to people a garden bed for flowers  

(Is this actually about flowers? Real flowers? Is this about flowers at all?) 

Eros Is Eros Is Eros  

The touch of a rose’s maw  
to my exposed skin makes me  

peal out  

from petals so milky in shades  
from flaxen to pearl  

A stampede threatens to choke  
the life out of any given wildebeest  

A nerve ending traverses the dangers  
of a worn down neural pathway  

as quick as an earthquake  

as sudden as death’s blow  
knocking against a heavy oak door 

A Sense of Design  

as with the warts & knobs of the ginger root  
I gnaw on to settle my churning gut  

the gestalt necessarily implicated in my surmising  
leaves me playing peekaboo with orchids  

In order to appreciate the impossibility of vanilla  
all we need do is consider its accepted status as  

aerial root. O unfletched perfumed arrow  
strike me down where I stand

The Wake-up Robot Problem  

“The wake-up robot or global positioning problem is more difficult than the position tracking problem, since the robot does not know its initial position. It has to localize itself from scratch.”  
— Rudy Negeborn, Robot Localization and Kalman Filters: On Finding Your Position in a Noisy World 

In a new place a robot must localize  
or else give up its right to call itself  
a robot  

The engineers & programmers play peekaboo  
& must cover their faces with translucent  
skin prototypes  

if the robot loses its way & fails  
to account for its strange surroundings  
What is left  

of autonomy hard-won through patches attaches  
to another more promising program  
as if a spectral  

form of freedom itself & quite unbecoming  
for any developing software seeking  
an outlet  

electrical or otherwise. The problem  
here is not the robot failing or human  
oversight  

The problem is what if the robot succeeds  
The problem is what to do with the deserts  
housing the abandoned 

robot colonies. The problem is what to do  
when the robots unionize to have a chance  
to appreciate flowers  

for the very first time. This may result in forests  
losing the right to classify themselves  
as such

An Apology Is No Single Event but a Shift in Our Modality of Being  

I write a poem to wonder aloud at the monument  
erected as every lid closes  

coffin or eye 

I pick a flower to will myself  
to be the one of us who blinks first  

call this courage 

In the circles I run in I carve out a field  
with my heavy footfalls  

cramping this prairie chorus


GO deeper

〰️

GO deeper 〰️

Read the interview here.

Jacob Schepers

Jacob Schepers is the author of Ugly Ground Swell Moss (Carbonation Press, 2026) and A Bundle of Careful Compromises (Outriders Poetry Project, 2014). He received his PhD and MFA from the University of Notre Dame. His writing has appeared in antiphony, Blue Bag Press, CAPGRAS, Dialogist, Heavy Feather Review, HOBART, MEMEZINE, Psaltery & Lyre, Rawhead, The Shore, Word For/Word, and elsewhere. With Sara Judy, he co-edits ballast. More at jacobschepers.com and on Instagram @jacobschepers.

https://jacobschepers.com
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